It turns out that I’d not have had enough fabric for the 3 1/2-inch square version I mentioned before (here) either. It was a math error from the beginning of planning. I would have enough with the new solids and using the backing fabric for the front. But I’d lose the blended look that I’d had in mind originally. Not the end of the world, but . . .
I also liked Louise’s suggestion to make bird blocks different from the pattern rather than making all squares larger. However, the repeat was too close for 6 1.2-inch squares. Ah, but 5 1/2 worked fine. And 10-inch finished blocks would also work well. And I could get 42 3-inch squares from each fat quarter instead of 30 1 1/2-inch squares. And that made a big difference.
The big ah-ha came when I realized I could make all the “chickens” the same color instead of following the pattern’s color plan. (Michele Freedman’s instructions are here, in case making the block interests you.)
So I made 3 x 4 piece blocks and a bunch of “chickens” to test layouts.
I didn’t make the total number, just enough to test, so use your imagination to fill in the upper left. I was a little afraid that Plan A would be too dark, so also tried another layout.
It didn’t take me long to decide I liked Plan A; Plan B was just too pink.
So I made 20 more teal “chickens” and started assembling.
41 x 41
It amazes me how regular the triangle blocks tended to be even though I was going for “wonky.” I had to consciously think “left,” “right,” “skinny,” “tall,” “squat,” as I made the blocks. I found it easier to cut white rectangles instead of working from a strip as in the directions. Some were 2 inches wide, some 3. Some 4 inches long, some 4 1/2, some 5, the latter for the sharply angled “chickens.” (I will get quite a few 1 1/2-inch squares from the trimmings.)
And the back.
I’d asked for only a yard of backing fabric because I wanted to use as much of the left over fabric as possible in piecing the back. And I did well. This is all that was left of the Marble Tan “Picnic” prints.
I used 5 fat quarters of the prints, 1 3/4 yards of white, and about 1/3 yard each of Paintbrush Solids teal and verbena. I will use an additional half-yard of either of the solids for binding.
On to pin basting and quilting. (One way to keep tops out of the to-bee-quilted black hole is to have a deadline. )
Linking with Let’s Make Baby Quilts.