Category Archives: Uncategorized

Paint Brush Studio Fabrics

I’m trying a new thing. I applied to a  Paintbrush Studio Fabrics  request for people interested in making things with PBS fabric. ( I don’t remember if it was an email request or a link on their website.) They send an email with their fabric selection and some prompts each month.  Receivers submit descriptions of what they want to make with it and how much fabric is needed. Then PBS sends fabric to the people whose projects were chosen.

I was too busy to consider responding the first two prompts they sent. There were second requests showing  quilt pattern possibilities for the fabrics. I figured when I was ready to submit I may be in demand. And this month my idea was created and accepted.

Here is the sketch (each square is 2 inches)

quilt sketch

And the fabric arrived today.

I’ve combined pieces from two lines: Gulls Just Wanna Have Fun (designer’s name, other than Paindbrush Studio not given) and Maja Ronnback’s Garden Glory. And Painters’ Palette Solids, of course. I’m rethinking the background shade of blue, but don’t know if I can make a change after a project has been accepted. I’ve asked.

I think the design is a good way to showcase fabrics. I had done something similar with fewer fabrics in the past (here). This seems an easy arrangement to vary. Maybe a series? Time will tell (unless 2 makes a series. )

It is destined for my local guild’s charity program. The size (46 x 46) can be either a child’s quilt or a lap quilt for a nursing home resident.

 

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Quilting Shoves Its Way In

A couple days ago, my UFOs (Unfinished Objects) started yelling. One in particular, the weather quilt I started in 2016, said I had to work on it before its information became paleoclimate studies. (I had left off here, approximately 2 years ago.) So I shoved knitting and reading aside and got the blocks out.

Nothing is worse than trying to pick up where I left off when hurriedly packing a project away, even with notes.

sketch and pieces

When I put it away, I am sure this all made sense. I had the scale noted on the note page for the numbers, and I had cut pieces for the number 20. The pieces for the 2 fit, but the 0??? Nothing made those pieces work. I finally admitted they must have been a mistake and cut more. And order was partially restored.

20

But the other page of notes for the letters? There was no scale noted, and nothing that I pondered made sense for the area available. So I redid all the calculations till I had something that will probably work. I’ll keep you posted.

Linking with Em’s Moving it Forward.

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“Leaving” Is Finished

I just finished the last stitch, and I do mean last–attaching the label.

Stretching Art 19 finished

I have some quilting photos from before the facing was attached.

 

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And the whole

a stretching art quited

Once again I had to depart from nature. Plan A had been to follow the side veins. But designwise, it seemed better to alternate directions.

Ironically, of the two due in mid February, this finished one is the one with the date extension, and the one that is still only a sketch had its date shifted to Feb. 6.  At least it is only the top that is due, and I think I can get that accomplished.

Now to get it ready to mail.

Quilt history

Begun

Designed

Top FinishedThis is the post where I talk about design decisions, for those who are interested.

Sometimes quilt history is shorter than others, and of less duration.Deadlines can do that.  Stretching Art information here with photos from last year.

Linking with Connie’s Freemotion by the River.

I’ll be linking with the TGIFF and Nina Marie’s Off the Wall (button in sidebar).

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“Stretching Art”* Top Finished

Once I stopped dithering, sewing went relatively quickly, so now the top is finished.

a stretching art 19 top

Because I have several small projects ahead, I’ve set up my portable (52 x 52) design wall. I’d thought I’d be using it for this project too, but since I was following a paper diagram, I had to lay the pieces flat until now when they are attached. You may notice a couple small changes from the preferred arrangement of a couple days ago.

I got several design suggestions, but only one before I’d done a fair amount of sewing.  Kate suggested the bottom left “vein” that had been in the first rejected layout. It took me a while to remember why I had dropped it. At the time I was thinking of the way the veins really angled in the photo of the leaf. But when abstracting from reality, such things as realistic angles don’t matter. and I agreed with Kate that the design needed it.

In case you are wondering, No, the angle variations are not a mistake. I wanted the traditional blocks to be at a traditional on-point angle, and the leaf “veins” to have no right angles and not to parallel the blocks, more like the casual placement of modern improv, and the two “grids” to be in tension. I don’t think this tension between the two is what MQG means by their category “Modern Traditional,” but I might submit it to QuiltCon next year anyway.

I am still not sure if the design has a focus.  My eye tends to fall at the spot where the two veins almost meet above the autumn tree block. Not sure if that qualifies it as a focus.

Now to plan quilting–I have two tentative ideas. Tune in again next [whenever].

*For those interested in details of the Stretching Art Challenge, here is the link.

Meanwhile, while piecing the top I finished off 11 more sets of 5 squares for the Irish Star quilt, the relaxed schedule QAL, relaxed because many of us are making the chain blocks as leaders and enders. (Link here if you are interested in the tutorial.)

Irish Star progress

Whereas most people are making blocks as they go, I am making columns.Why do something easy if you can make it more difficult? Before I realized that each star’s background involved 4 of the chain blocks as well as the star block itself, I’d decided I wanted to use left over background fabric and not have the backgrounds match. I won’t have enough variety to make each of 17 unique, but there will be variety.  That means I have to know where the stars are going to be placed before knowing where to put the background square in each of the four surrounding sets of 25 patch blocks. (If this doesn’t make sense, go look at the tutorial.) I need 68 pairs of 2 1/2-inch squares, so it will take a quilt or two before I have them ready.  I also need to cut more pieces for around a dozen star blocks. To do that, I need to do some scrap control, i.e. cut more 2 1/2-inch squares. My color selection is getting very limited as well as there not being 136 usable squares.

I plan to link with Moving it Forward Monday (ETA link here) and Oh Scrap! (link in the sidebar.

 

 

 

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A New Year and a New Quilt

With a due date the beginning of February, I guess it is time to get beyond mental quilting. The Stretching Art theme this year is “Under Scrutiny.” (The Stretching Art challenge is to make an art quilt 18 x 36 on the assigned theme and to try some new technique. The quilts are hung in three or four Mancuso shows in the East, so I’ll probably never see them hanging.) This theme was daunting for quite a while. Last year’s, Dream Big, was much easier for me (Dreaming of Cool, Clear, Abundant Water here ).

What hindered me was that the theme, asking us to look deeply and drill down, seemed to invite representational art (even though the challenge mentioned abstract ideas) and I prefer abstract design. I didn’t get an idea till Fall came, and gorgeous leaves filled the sidewalks.

So I took a walk, camera in hand. From the photos, I selected this one and cropped and cropped and cropped. Idea one was to replicate the last one, more or less. But before I started sketching, I remembered an ancient start of a tree themed quilt. I’d made four test blocks, one for each season, and gazillions of  one-inch HSTs. The plan had been to make the first four the center of a queen sized medallion quilt, either as four blocks on point or as a square..

I got stumped on the decision of whether to keep the season represented by the center tree for that whole quarter of the quilt or to intermingle the HSTs randomly or to keep seasonal coloration by rows. I set them aside with the fabric the HSTs had been cut from while I thought on the dilemma. And you know all about “out of sight, out of mind.”

Having remembered them, I thought, Why start my scrutiny from the tree when I could start with ecosystem, forest, tree.  Finally I was ready to sketch. Although I did the outline to scale, I’d made the 6-inch tree blocks too small, but the idea seemed a good place to start..

leaf sketch

I’d gotten this far before Thanksgiving, but set it aside again for the holidays.

Today I dug the old tree blocks out from the bottom tub in a four-tub stack and began auditioning fabric.

leaf fabric audition

The leaf “veins” will be much narrower, of course.  And I’m still debating whether to vary the shades of gold in the background or use just one. I’m leaning to the one. I also have to decide whether to make the “veins” straight or slightly curvy as in the sketch. I’m leaning to straight. Curves can come in the quilting. And I’m pondering whether to make templates or do improv piecing. I’ll sleep on it.

Linking with Nina Marie’s Off the Wall Friday.

 

 

 

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Second Welcome “Blanket” and Last Omaha Top

At long last the second welcome “blanket” is finished. It was so easy to keep putting it off while I did other things, and then the due date appeared. I’ll get it in just under the wire.

pink welcome blanket finished

42 x 42

I wrapped the back to the front for binding–since it was a pieced back, there are the pink interruptions in the cranberry print binding. Not as great an effect as a wholly pieced binding, but it will do.

I quilted it with an all-over floral pattern. I’ve used it before, but then it slipped out of favor. A recent blog posting by Angela Walters reminded me of it again, and it seemed just right for all that pink. And it is just as easy as  a simple meander.

pink quilting detail

Here is a link to the Welcome Blanket blog–you can browse it and see the exhibit to date. They had received 1500 at the Oct 9 post. Maybe there will be an update soon. The blog mentions mass deep freeze.  An earlier email described the museum process: 72 hours freeze, 24 hours thaw, another 72 hours freeze. Just so no moths, etc. are entered along with the blankets.

Quilt history: top here, (You can see its destination changed.) back here, BOM project here.

The other finish is the top I had started at the retreat.

Omaha big flower

40 x 60

This top is made from the kit I assembled from the parts that people had sent it. Most of us took some extra parts home from what were left at the end of the retreat. I had fun picking up all the big flower pieces, then when they ran out, medium and smaller flowers. I made the rectangle pieces from neutral fabrics that had been donated. We assembled 170 tops while at the retreat, but others have been making tops since as well, so the total is higher now.

This one will go on the pile of quilts that need backs.  A step between top finished and quilting. That plus cutting the batting are the hold ups for me, but eventually they get finished.

Linking with Free Motion By the River and if I remember, with the Friday finishes (buttons in side bar). ETA 11/12/17: Also linking with Free Motion Mavericks (changes in WP keep me from showing the button anymore).

 

 

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Mostly Traditional

At guild a long time ago, I picked up a kit to make a twin sized charity quilt. The Rail Fence pattern needs one dark, one medium and one light. The kit had two darks and a light. So it sat a while.

I had a lot of left overs from the Urban Chickens quilt–strips conveniently 3 1/2 inches wide.  Lots of medium, but not a single color. I decided to sew and figure out an arrangement later.  I finished the sewing of the blocks at last year’s fall retreat. I delayed a long while because I don’t particularly like trimming blocks and these needed it.

Today I am getting ready for this year’s fall retreat, so finally trimmed. Next comes the fun part, arranging the colors. I started out alternating horizontal rows. I dismantled that before I thought of photos, but trust me, it didn’t look good.

Rail Fence

I think because the design moves diagonally that alternating diagonal rows works better. (To echo or to contrast? That is the question. Today the answer was to echo. )I’ll have to stare at it for a while and move a block or two before I pack it up.

It will need a border.  I don’t like the fabric from the kit for the border either.  I’ll go stash diving later and see what I have that works.  I guess that kit will end up making two tops.

Assembly should go fairly quickly. I have one other project kitted and another two planned. Lots of cutting in my week to get ready!

 

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