Tag Archives: quilting design

City Squares Finished

A guild quilt show coming up does help UFOs become finished pieces! This one has been in ‘to be quilted’ limbo for quite a while. One reason was that I couldn’t decide how to quilt it. Usually I have a focus to emphasize or some lines that get me started, but there was nothing like that on this one. As the deadline drew near I went with my default, meandering.

I did consider an angled meander instead of curves. I always ponder whether to echo or contrast. I thought curves contrasting to the straight lines of the piecing and print would work. And it is the easier of the two, for me. Sorry, no quilt holder available; maybe a better photo at the show.

City Squares finished

~50 x 70

I haven’t actually measured the finished piece yet; 50 X 70 is the target size.

This quilt was also inspired by Sherri Lynn Wood’s Improv Handbook for Modern quilters; it is Score #1, Floating Squares. Sherri makes two suggestions for edges: cut them straight (as I did for Mint Swirl in the previous post) and follow the curves that form naturally. I tried the latter on this quilt. To deal with the curves I made bias binding. It worked pretty well.  I had most problem with the down curves.

city squares--unsmooth curve binding

This is the worst curve, and I’m hoping it doesn’t show much after being washed. Possibly a single layer binding would have helped (I always make double layer). But  a gentler curve would have helped more. Next time I won’t be so stingy about losing fabric as I create the edge.  I did feel that I had to do the binding the traditional way, machine stitching on to the front and hand sewing the back. I’d not factored that into my time allowance, so cancelled another outing in order to work on it.

The finished quilt doesn’t look much like the picture in my head.  I knew this when I had it laid out and was assembling it, but didn’t know what to do about it. It came to me while quilting. The background needed to have been closer to the background color of the print fabric; then the line between the print and the piecing wouldn’t have been so sharp and the two would have blended better. Also instead of the three areas of color I had planned with most of the red in the middle, maybe I should have used pieces to actually extend the partial city groupings in the print wherever they occurred. The quilt is okay this way, just not the look  I had aimed for.

So my three pieces for the show are finished, but I still have hanging sleeves and labels to go.  I’ll have no trouble meeting a new challenge. Annie’s Ruby Slipperz has a challenge to sew 30 minutes every day, 6 out of 7 for the month of May. (It is early May, you can join in. Information here and here.) At the end she will do a drawing from those comments on the appropriate posts of hers–once a week, I think. Commenting is more important than actually sewing every day for the drawing. This challenge might keep me sewing after these three are labeled and delivered.  Often after a push to deadlines, I take a break. This time I’ll try not to.

ETA photo of the quilt hanging (to improve upon the sofa shot above)

NW2 city squares hanging

Quilt history in reverse order:

Finished top (way back in July)

Assembling the top

Early assembly and arranging and rearranging

Starting the arrangement

An abandoned plan

Skyline, the quilt that made the scraps

I still have a long, narrow piece of the Utopia fabric. And a couple ideas.

 

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Riley Blake Piece Almost Finished

About ten days ago I was arranging pieces (here); now it is quilted.

I was about to quickly sew one seam to make the back. Luckily I had the smarts to lay it out before stitching (I had cut the yardage in half, though).  Oops. I’d needed 3 yards, but purchased only 2, operating from memory, not measurements and math. Must have been memory of a smaller quilt. Since the quilt needed to be made of Riley Blake fabrics for the challenge, I got out the print pieces left over and found enough to add. (There went all hope of eking out enough of the background for binding.) So I ended up with this.

RB back

Someday I’ll hire a full time quilt holder and take straight photos, meanwhile the sofa will have to do.  The mood of the back is quite different from the front. The main fabric was purchased with more red planned for the front and sharper divisions between pieces.

All along I had oriented the top this way.

RB quilting started

When I finally got it quilted, I reversed it.

RB quilted

And I like it better this way. Not sure why. Maybe the two aqua rows were too top heavy the first way.

The quilting is fairly simple: lines following the long curve made with the walking foot; the red curves free motion quilted–some zigzags to flatten the lightest red wedges, an X in the triangle print, and nothing on the red with white dots. All the rest a moderate size meander.

I gave brief thought to doing fancier quilting, different in each wedge.  However, because I’d preferred the blended look to a graphic look, it seemed unifying the pieces was a better choice this time.

I still have plenty of time to bind it by April 30. (And the Threads of Resistance piece is quilted too, but that is another post.)

ETA: Linked with Freemotion by the River and AHIQ

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“Dreaming of Cool, Clear, Abundant Water” is Finished

It isn’t often that two posts in a row document the start and finish of one piece! But deadlines (real ones) can promote that.

water-finished

So here is the piece quilted, trimmed to 18 x 36, and faced.  The balance is back to something closer to that in the sketches. If I do something approximately this size again, I’ll add only one inch all around. It lost very little in quilting.

I had to wait a couple days to photograph the quilting–there was no sun and  my artificial light keeps the quilting from showing. The sun finally appeared yesterday–along with temperatures in the 50s.

I like the background quilting; if I had it to do over, I’d put another layer of batting under the “drops” to fill it out better. It’s okay as is, but I think puffier would be better. Puffier would be nicer for the big “pebbles” too, but that would be impossible to place extra batting since I decided on placement as I went. Maybe the whole thing needed thicker batting.

The ice finally melted so I got it to the post office in plenty of time.

I’ll be joining Friday links (buttons in sidebar). 2/3/17 ETA: Actually linking late because I spaced it the week I finished.

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36 Fragmenting–Better Quilting Photos

I had time to take photos while the light was right, finally. Instead of editing the old post, I’ll just put them here. First the whole quilt. By putting it sideways, I got better light on all of it.

36 Sideways large

Now you can see the swooping lines made with the walking foot that continue into the border. What you see on the right is the top, though I am not sure it matters.

And the three filler designs:

And the quilt has yet another name.  After show and tell at guild meeting (Portland Modern Quilt Guild), Chris suggested using a quote from van Gogh, “Without Orange There Would Be No Blue.” I like it, so the name is changed.

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City Quilt Renamed “Skyline”

The top is finished. I’m working on use of space and balance. Not sure I’ve captured it in this one.  On the sketch the 3/4 size partial petal looked okay; here is looks like it could have been larger. And I never did comment on the reason for the partial petals. To get the amount of the fabric print that I wanted into one petal would have been too big to add anything else other than dinky little things that didn’t seem to fit the whole. So one night before sleep hit, I got the idea of half petal shapes.

Skylne top

50 x 68

Here’s hoping those bumps quilt out.

I love open spaces, but I never seem to buy enough fabric. This background had to be pieced more than I had intended. While looking at it and pondering how to piece either of the background ideas I had sketched, I came up with another idea and went with it. The idea was to echo the shadowy/misty silhouette in the print. You can see the lower one in the above photo. And here is the upper one.

City background detail

Now my question is how to quilt it.  Do I ignore the piecing to make it even more subtle or do I draw attention to it with different quilting from what is in the green? Let me know your opinion in the comments.

Linking with Nina Marie’s Off the Wall and Em’s Moving it Forward–buttons in sidebar.

 

 

 

 

 

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