Tag Archives: quilt shows

Threads of Resistance Links

The Threads of Resistance list of traveling quilts has been posted. (No, Deregulation is not in it.) Here is the link for those who want to “see” the traveling show online.

And a reminder, here is the link for those who want to see all 500+ entries.

And for those lucky enough to live where the show will be and want to see it live, here is a link to the show schedule.

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Quilt Shows, Virtual and Local

One quilt, mine, is in both.

NW2 dereg--NW show

I did decide on “Deregulation” as its name. Since it didn’t seem to limit what others saw in it, it seemed safe to be directive in naming.  I still don’t know if it will travel with Threads of Resistance, but they have posted all 550 entries online (here). The page is subdivided into categories, so viewing is manageable; artists’ statements are on a separate page in each category for those who like to read them.

The guild show divided art quilts into abstract and pictorial, which I think is a good idea. “Jo’s Last Quilt,” from the previous post, was also in this category as was Anton Haas’ Six Times Five.

NW2 Six Times Five Anton Haas

Tony’s statement said he was exploring five-point symmetry. I love the way the long swirls maintain the color pattern in the small swirls.

I got only one photo in the pictorial category:

NW3 Vintage Falls Helene Knott

Vintage Falls, Helene Knott

Those who have been to the Columbia Gorge will recognize Multnomah Falls.

I have a few more photos, but they can wait. I want you to have time to view the Threads of Resistance quilts if you are so inclined.

There will be radio silence while I travel outside of WiFi areas this coming week, so don’t feel neglected if your comments don’t get prompt answers.

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NW Quilting Expo Sampler

Although I am back from vacation, there is too much unpacking chaos for me to get back to quilting yet. However, that didn’t stop me from heading out to the annual NW Quilt Expo in Portland OR. I saw probably 3/4 of the 700 quilts hanging.

Three special exhibits caught my attention:Western Modern Quilt Guild’s Native American themed challenge, Cover to Cover’s interpretations from two novels, and Latimer Museum’s antique quilts. A couple photos from each.

From the Native American challenge, I appreciated most the quilts that though inspired by history didn’t closely reproduce traditional native images, rather creating new ones.

This one gave the traditional Crossed Canoe block a new meaning.

nw-fishing-hole-canoe

Fishing Hole by Nancy Schaefer

Schaefer described deriving her design while watching the fish ladders at the Bonneville Dam and thinking back to a time when salmon were so plentiful they could be speared from a canoe.

This quilt also referenced salmon.

nw-tails-and-fins

Tails and Fins by Beverly Shoger

Shoger, noting that salmon linked the coastal tribes, chose to represent them by abstracted tails and naming the better known groups.

This quilt was based on a collaboration.

nw-shamans-view

Shaman’s View by Kathy White

White’s granddaughter had done a senior project that included shamanism. She drew a sketch that White translated into fabric.

Cover to Cover Book Club Quilters is a group that designs quilts based on novels, usually doing two a year. One was Gone With the Wind. There were quilts showing Tara, quilts with abstractions in blue and gray, and quilts representing grand living and the Atlanta fire. This humorous one caught my fancy.

flowered-and-southern-fried

Flowered and Southern Fried by Patricia Goodwin Andrews

(Not so humorous from the chicken’s point of view.) Andrews says, “It’s Saturday and this chicken has another day till it is Sunday and southern fried chicken day.

The group’s second book was All the Light We Cannot See.

nw-map-in-her-head

The Map in Her Head by Dianne Kane

Several of the quilts referenced Marie-Laure’s blindness; the fabric selection in this one appealed to me.

Last, but not least, are the antique quilts from the Latimer Museum collection.

nw-9-patch-medallion

Nine-Patch Medallion

This one was dated ~1840.  It looked to be double-bed size.

nw-9-patch-detail

Here is a closer view of the trapunta and hand quilting. Notice some of the old fabrics are beginning to shred. Those early dyes were harsh.

The next one was dated ~1880 and looked to be twin size.

nw-ohio-star

Ohio Star

The center square in the Ohio Star blocks looked to be about 3/4-inch on each side–the blocks about 4 inches.

If you live in the area, you have one more day to see the show. I hope the rest of you enjoyed the sampling.

 

 

 

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Quilt Show–Traditional or Modern?

These last quilts meet some tradition and some modern criteria. Sometimes it seems thinking in a continuum instead of in categories makes more sense. There were a couple quilts in the second show post that I thought also had some features of each. If I’d planned ahead to this post, I’d have saved them for it.

I think I remember others having distinguished between contemporary quilts and modern quilts that follow the “modern aesthetic.” In that classification, these would perhaps be contemporary quilts. There is no doubt in my mind that future historians would look at them and know they were made early twenty-first century.

NW Calypso

Jan Laus’ “Calypso”; quilted by Robin Hill

“Calypso” design comes from Smith and Milligan’s Simple to Sensational Batiks.

NW Radiant Suns

Darlene Miller’s “Radiant Suns”

“Radiant Suns” is a pattern by Cara Gulati.

There are those who question whether modern quilts can be made with batiks. I’ve heard other such absolutes be modified in a year or so.

NW Suitcase quilt

Carol Brown’s “Suitcase Quilt”; quilted by Carol Parks

Carol’s design source is “Trip X 2,” […] Designs. Alas I cut off too much of the right side of the label to read the full name.  This quilt won the Linda Tamlyn award for best use of color. Well deserved, don’t you think?

NW Splat

Jackie Putnam’s “Splat”

Jackie followed Bethany Reynolds’ Stack and Whack method. Sometimes I wonder at the source of a quilt name.There must be a story.

NW Quilt of Valor

Charel Walker’s Quilt of Valor; quilted by Colleen Barnhardt

Charel’s design came from American Patchwork & Quilting magazine. Quite a few guild members  make quilts of valor.

And I remembered quilting shots on this one and the next one.

NW quilt of valor detail

Nw orange parfait

Kazumi Peterson’s “Orange Parfait”

NW orange parfait detail

Kazumi modified a Fons and Porter “Easy Quilts” design. Her award is for the small pieced quilt category.

I just want to say again that what category I place a quilt into (or that others do) has nothing to do with how much I enjoy a quilt.  This is the last show post and I look forward to the next show.

 

 

 

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Quilt Show–Second Installment of Modern

Now for the modern quilts (in my eye) that were not so labeled.  In some cases it may have been a factor of size–big bed quilts have to hang on big frames (and the committee has the right to change categories). First the biggest, the queen sized quilt:

NWM2 aviatrix

Tam Gardner’s modification of Elizabeth Hartman’s “Aviatrix Medallion”

Tam’s quilt was quilted by Jolene Knight of Good Knight Quilts–I apologize for not having photos of the quilting–or of any of the quilting for this group.

NWM2too much for me

Maureen Orr Eldred’s “Just a Little Too Much For Me” quilted by Kathy Morrison.

Maureen used “It’s a Plus” pattern by Brigitte Heitland of Zen Chic.

NWM2 red sunrise

Marjorie Rhine’s “Red Sunrise,” an original design

Marjorie Rhine reappears via her pattern, “Rotini.”

NWM2 Bali-tini

Nikki Schoeffel’s Bali-tini

NWM2 polka dot com

Kathleen E Schmidt’s”Polka Dot Com 2016″

Kathleen used a Freddy Moran pattern, Dot Con, and the quilting is by Jolene Knight.

NWM2 baskets

Sharon Bishop’s “Wonky Baskets”

Sharon took a workshop with Kristen Shields but produced her own free form, liberated baskets and layout design. Kazumi Peterson did the quilting.

NWM2 reverse star

Pieced and quilted by Kathy Morrison

My photograph of the label doesn’t show Kathy’s title; it does show that the pattern came from the Missouri Star Quilt Company.

These quilts each struck me as modern in some way or another. I am always interested in definitions and would welcome comments about the degree of modernness that you see or don’t see in them.  Although I can get caught up in discussion of criteria, it doesn’t inhibit my quilting style or appreciation.

 

 

 

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Quilt Show–Quilts Labeled ‘Modern’

This is the first year my local guild has had a modern category, and there were a good number entered in it.  There were also modern quilts in other categories. Today I’ll share some of the self-labeled modern ones. Not all of them, though.  I took photos on two days and got two of some quilts and none of others. I need to become more methodical.

The show is not juried, but each category does have one quilt that gets a ribbon. Here is the modern one.

NWM Reach for the Stars

Colleen Barnhardt’s “Reach for the Stars”

No question why this is the one with the ribbon; isn’t that quilting wonderful? And the asymmetrical design. Here are some close ups.

The quilt is original design using traditional blocks; one of my favorite quilting designs is the ghosting of a block.

Here are more:

NWM Bedtime Stories

Karen Nelson’s “Bedtime Stories”

Karen attributes this one to a Rachel Kerley “Splat” class–unfamiliar to me. She says it is a way to showcase special fabrics. I didn’t get a detail of the quilting, though it would have deserved it.

NWM delightfully deco

Chelsea McLennan-West’s “Delightfully Deco”

The quilt was part of a quilt-along led by Christa Watson. Several people helped paper piece the quilt, and it was quilted by Debbie Scroggy.

NWM hearts and points

Etta Gordon’s “Hearts and Points” from Elizabeth Hartman’s pattern, “Pointy”

NWM triple play

Christine Jiun Li’s “Triple Play,” an original design

NWM sparkle punch

Dianna Miller’s quilt from Elizabeth Hartman’s “Sparkle Punch” pattern; quilted by Jolene Knight.

And I got a quilting detail shot of this one.

NWM sparkle punch detail

Of course, I also took the chance to get upright photos of my two quilts.

Skyline --hanging

Skyline

without orange--hanging

Without Orange There Would Be No Blue

Quilts can be put for sale at the show, hence the red sign. There are not many sales as most viewers are quilters who can make their own. The quilts with green signs are from the treasure hunt, a gimmick to entertain the younger set who may not willingly have come to the show.  Another feature for the young ones (and adults) is Build-A-Block. Parts are set out and folks can design blocks that fit the 9-patch construction format.  Blocks are sewn as turned in and eventually assembled into charity quilts.

Tomorrow I’ll show some modern quilts that were not so labeled, and the post after that will be of traditional quilts.

 

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NW Quilters Show

I was thinking about posting some winners, but why reinvent the wheel.

Enjoy the post from WonkyWorld.

A couple other quilts that caught my attention and my camera.

Trees

I can see that weeping willow block in my future, and the wind-blown fir.

Quilt info:

trees--maker info

And a variation on Storm at Sea

storm at sea variation

I am totally intrigued with what changing the values and sizes of segments can do to a traditional pattern. Even after reading it was Storm at Sea, it was hard to see the traditional block.

A detail shot and the identification

storm at sea detail

storm at sea infoOne week old isn’t very archival, but it seems to be the only show I’ve posted about with photos. So linking with Tuesday Archives.

 

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