A while back a challenge was issued to base a modern quilt on one of Portland’s bridges (I chose the Hawthorne Bridge) and to use 1/2 yard of Violet Craft’s Waterfront Park line for Michael Miller fabrics. I’ve been biding my time to show the quilt till the big reveal had passed. (Past posts: bridge photos here and fabric here.)
I chose to make a functional quilt and chose throw size, so I wanted the quilt to stand alone. I thought about modern criteria and went for minimalist, asymmetrical, and lots of negative space. Of course I wanted something to reference the bridge. I stripped it down to one essential feature, the red weights that raise and lower it, and I added Xs to suggest structure.
Presenting “Weighty Reflections”:
In the interim, I made another quilt derived from the Hawthorne Bridge photos. It doesn’t look like the bridge at all, and it seems to me that viewers need not know the bridge to understand the quilt.
How important is a quilt’s history? Here, of course, it is relevant because I am talking design process as well as finished product. And for the exhibition, Portland Bridges Now, it matters to link it to the Hawthorne Bridge. However, once that is over, do I need to mention the Hawthorne Bridge when showing the quilt? When do you think telling the inspiration is necessary? And when does it become redundant?